Prac Updates- 29/08

Ye Ge

Liuqin:

Bar 2 and 4 arpeggios must have a bit of differing musical tone. For Bar 2 arpeggios 146 and 2462; they must be played lightly and softly. Whereas for the Bar 4 arpeggios 373 and #472, play a bit louder and 'heavier'.

For Bars 5-8 must play loudly (until the 3 in Bar 6 where we have to descrescendo) and crescendo!

For Bar 13 melody, listen to yangqin's volume. Follow.

For the 6616,6616 part, the first two beats of the 2nd and 4th bar of same rhythm are the loudest, the rest are very soft and little crescendo and decrescendo should be heard.

For the 2/4 part, the main melody (666 666 1 6) has the strongest point at 1. All similar melodies have the same property.

For the part 14b3, 142, 151... accent the three chords, the rest if it misses its ok.

For the part 45,6665,6661... play the dynamic variations!

For the part b6, b7b6, 4141, do not speed up!

For the #6752, 4525, 5 part, try not to screw up X(

For the last part (the luns), until the last 2 bars, do not decrescendo. =D


Pipa:

Not much, just do not sao yin at the start of every phrase XD


Zhongruan:

Play your melodies out and loud! And when lunning for the LQ Solo, play at the appropriate range! And at the end, play out loud and (time) accurately!


Zhan Ma

Basically alright liao! Hongbo jiayou!